2016 killed the 20th Century once and for all

2016Centuries fade into the past and 2016 went about underlining this with every passing month, week, day.

There is no question a pall of resigned doom and mourning descended on December, 2016 like a chilling winter fog.

So many public figures dying before their time, and possibly too democracy dying ~ or at least the celebrated, ideal version of democracy that lifts everyone up.

There is this feeling that something larger has been lost.

Lost now is the 20th Century.

Consider that era fully and completely done. Dead. Ceased to be.

From a cultural perspective, iconic musicians of the late 20th Century died off in droves: Bowie, Cohen, Frey, George Martin.

Artists that majorly shaped the sound of the late 20th Century.

From a political perspective we are now 100 years out from things like Communism, World War I and the invention of life-changing devices. Airplanes, Radios, Televisions, Computers, Movies …

Those social lessons seem somehow lost and forgotten or belittled and dismissed.

It is a simple occurrence like Apple dropping the normal headphone jack that drives home “we have left the last century behind.”

So now something that was part of our lives is gone. Something as old as some of us.

Time marches on. At a certain point everything before feels redundant.

At a certain point everything before fades.

Goodbye 2016.

Goodbye 20th Century.



Gig Review: The Diviners


The Diviners take post-Roots oriented songs and update the genre with melodic pop vocal harmonies and deeper rhythms.

At the recent 2016 IPO Festival in Vancouver, Donald Delano and Janis McKenzie brought the full band along and delivered one of those clear, crisp sets of songs that sets the evening right and has audiences smiling and singing along by the 2nd chorus.

It’s the blend of their voices that sets The Diviners apart. Donald and Janis sing together as one, and very well. The band backs this beautifully, starting with bassist and music promoter Gord Badanic. Gord lays down very fine bass that leverages vocal harmonies into melodic bass runs. He doesn’t just support the guitar riffs, he helps propel them.

Drums then need dynamically augment, which is something veteran stick handler Tony Lee does comfortably, barely breaking a sweat while adding energy on stage to keep the show moving along.

Blending three guitars in a live setting takes a careful ear and deft tonal control, which is precisely what Gary Economy excels at. Where Donald strums on acoustic and Janis supports with her electric Gibson, Gary instead chooses to add textural colors with his Gretsch and amps he custom builds.

Together, The Diviners produce a fine and glorious sound in support of uplifting melodies singing bittersweet lyrics.

Just the kind of music needed as summer transitions to fall.

Gig Review: Carton Lizard (solo) at IPO 2016


Cartoon Lizard generate pop music instantly connecting fun with audiences by way of disarming summer-bright melodies and autumn-colored lyrics over strong, compelling rhythms.

Astute musicologists might hear for example, blissful traces of Jellyfish and Big Star  (among countless other past and modern influences) that this band fuses seamlessly into diamond-brilliant, fresh and fun songs.

They indeed cite their work as “Music for the pop archaeologist” on their facebook page , but there is much more going on than mere homage. There is a reinvention going on, of pop arrangements owing more to rap production than traditional pop/rock recording techniques.

Playing live at the recent 2016 IPO, Trevor Lang performed solo and with backing tracks on a few songs. The song power was still there in stripped down form, but hearing the entire band would be something magical.

Trevor in solo form has a natural stage presence and song delivery that comes from a different angle than merely standing and singing. Surrounding himself with similarly talented musicians will make for a powerful live entity.

A tour is in the works for later this year and this is a band to watch.

Gig Review: 2 Days & Counting at IPO 2016


New Westminster has been compared to ‘the Brooklyn of Vancouver.’ Something in the air of places like Brooklyn and New West produces evocative music coming from a different, but inviting perspective.

Among the suburban Bohemia of such New West artists, actors, musicians and bands are 2 Days & Counting.

Drummer Don Smith is someone you know, someone that shares a beer with you before walking on stage to play drums, loudly. He makes it look easy and keeps that smile on his face while drumming up a storm to widen the song narrative. His keen sense of dynamics ensures the band remains driven to the very last note.

Justin Lewis takes a more studious, intense approach while attacking songs from the bass. There is still a smile there, but it’s much more about hitting the notes in a way echoing what’s happening in the vocal – underlining lyrical cadence of words and story as they are sung.

Over the thundering bass and drums, David Charan unleashes ferocious guitar work to fill in the corners of the room with magic just shy of mayhem. Rock’n’Roll is like that, unflinching and uncompromising. Taking it down to almost nothing helps to frame the rocking riffs and full-on power chords.

All that thunder & lighting can leave a singer little in the way of space or sonic territory. Fortunately, George Montebruno holds more than his own and shines above the riffs with his strong tenor voice and heartfelt lyrics. There are stories to be told and George tells them in a way the audience gets right away.

Together, the band casts a pretty wide net over pop and hard rock. The result is always melodic and pursues recurring quiet passages to frame the louder rock-outs.

Each member sings, and they sing very well together.

Audiences respond to this tight and powerful live band from New West. Go check them out at gigs around Metro Vancouver and the Lower Mainland.


Gig Review: China Syndrome at IPO 2016


China Syndrome’s wall of accolades is brimming this year, and deservedly so.

Their recent Usual Angst is a modern day masterpiece capturing maturing musicians at the crossroads of life. Looking back and looking ahead – then deciding that rocking out is probably the best and only course of action.

Audiences agree and continue to support the band online and at gigs.

You should too because China Syndrome is one of this Vancouver’s top performing live bands. Great musicianship making riffs and grooves that much stronger.

Their collective stage energy and drive comes from drummer Kevin Dubois, leading that charge as one of Vancouver’s best drummers – together with knockout bassist Mike Chang’s tarantula-like ferocity of hand over fretboard.

Kevin and Mike push groove past “tight” into sublime, that point where audiences are no longer aware of bass and drums – they are only aware their butts are lifting off the bar stool and moving towards open dance floor.

Building on those transcendental rhythms, Vern Beamish and Tim Chan lay down dual guitar tonalities beyond riff & jangle. Always played with purpose, the guitar parts work individually towards a common goal of driving the song forward, building and releasing.

All members sing harmony vocals, providing a strong bed of lyrical support to Tim’s lead vocals. Tim continues to grow and shine as a vocalist narrating stories about life in general.

Songs. Music and bands are all about songs, and China Syndrome delivers a cohesive variety. From Power Pop to Funk to Foo Fighters type harder rock, it’s all about the hook and the groove.

Summer may be what these songs are designed for, seemingly the soundtrack for driving around with the windows open or boarding with your Vans and buds. End of summer touches them with that last bit of celebration.

Off the CD and off the stage, My Pal Dan is one of those timeless pop singles that jumps out.

Audiences agree and pulse on the dance floor while the band does there thing, a very groovy thing indeed. Go see the band and have fun.

Linda Bakker photo

Storm or tranquil mermaids? Kyna Leski supports Storms of Creativity. I support mermaids.

How is the creative process like a storm? Both begin from what appears to be nothing. Both arise out of a disturbance and act to displace and destabilize. Both gather energy, material, force and direction from its particular situation.

via Kyna Leski on the Storm of Creativity — Discover


Interesting premise and theory and partially true in some instances for some creative artists.

And somewhat of a long standing cliché (tortured artist, Vincent van Gogh, etc)

While taking many forms, creativity can more often be less a storm or hurricane and more a tide ebbing to reveal: first an outline and then the creative structure … as though mermaids gathered and started to create something out of sand and seaweed.

Leaving it for an artist or musician to find and bring out onto land and finish.

Other times creative works may feel as though they are a gossamer entity in a field that must be approached with calm and steady footsteps – less the intricate webbing be disrupted and the stained glass butterflies escape too soon.

Creativity is also about external storms as inner cores of musician or artist find a way to remain grounded when the storm circles. After the storm passes, time to open the cellar doors slowly and release butterflies back into the sky with their newly painted wings.

Collaborative creativity is a different situation, much more of an overt, collective conversation in the medium. Improvised conversations in music say, building a collective narrative on stage or in a recording.

True, some performers bring the storm with them for others to contain and tame. A more ying/yang approach producing incredible music, concerts and audience experiences.

However, being in some collaborative situations (where creative tension is deemed the best way to produce a work of any value or acclaim) can be very stressful. Results may be achieved with much in the way of collateral damage – as with any storm.

Storms destroy and leave a path of destruction. Although yes – deconstructionism can be totally cool and create interesting works … there is still a path of destruction and while being one method … is not the only one.

Maybe then, creativity is more of a constant force in everyone, with personality types driving the creative work outcome. Some creators will be hurricanes, others will be open meadow foragers or tidal pool explorers.

Not that the wind is blowing, but what the wind is blowing” ~Ron White, comedian.






Gig Review: Elle-Ectric at IPO


Elle-Ectric energized the IPO Vancouver audience at The Fairview Pub, with their wonderfully woven vocals over evocative, churning soundscapes that called to mind No Doubt and Kate Bush occasionally – but the band definitely forge their own blossoming, modern, driving sound.

The quintet brings a distinctive take to a diverse array of songs that conjures up magical atmosphere, groove and dynamics. With touches of cinematic storytelling along the way.

Vocals is where this band shines and both Stephanie Walker and Robin Wilson blend so well live that they sound like one singer. Lyrics are of a darker tone overall, which works well over the more pop-sounding major-key songs.

Bobby Graham, Clayton Giles and drummer Ben Hemera shine as a tight-knit band grooving solidly under twin angelic voices – their music sparkling like glowing dragonflies in the night. Audience legs move to the dance floor and the night brightens.

Their albums only tell half the story as this is a band best experienced live – where their collective, contagious energy bursts off the stage in radiant waves. They are an engaging band with a variety of grooves to their tunes.

Follow them on social media and make a pilgrimage to  one of their shows.